UPDATING OCCASIONALLY (FOR NOW)

9 thoughts on “558 – Cotton Clad Calamity”

  1. Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

Two strikes and we’re out?

So if you didn’t know, there’s a big thing potentially going down within the next week. No, not involving North Korea or Syria — this one’s closer to home and maybe not being talked about quite so much. The Writers’ Guild of America is about to go on strike again.

The last time this happened in late 2007, it cost the industry an estimated 2.5 billion dollars in lost revenue, but more than that had cascading effects on several television shows of the time, up to and including delays and cancellations. Look at that list and you’ll see how most of the late-night talk shows went to re-runs for the duration, and there’s no reason to doubt it won’t happen again. The strike is, rightly or wrongly, credited for both killing off the momentum of the promising Heroes series and cementing the ascendancy of reality television, which got around the strike by professing to be “unscripted” (for a given definition of unscripted, anyhow). It also is pointed to as a period where web-based series and shows started to get a lot more eyeballs as people hungered for content that the boob tube wasn’t delivering and writers… well, I know my share of professional writers and much like Dawn gets antsy if she hasn’t drawn anything in awhile, writers gotta write. If you’re a fan of Dr. Horrible’s Sing-Along Blog, for instance, you could consider the upside.

But they’d also like some health care, which is the current sticking point of negotiations, and the Studio argument they can’t afford to help out is dimly looked at in the face of revelations like the head of CBS getting multi-million dollar bonuses for 2016. If you’re interested in the whys and wherefores of both sides, this article has a pretty good rundown.

It’s not yet a done deal that the strike will happen, but if it does, and it lasts at least as long as the last one, I wonder what the impact will be this time around? Will it accelerate the exodus from network and cable television that the 2007 strike arguably started? Will it hurt services like Netflix and Hulu, or help them? Will any feature films still in early development be affected, like the upcoming Captain Marvel movie? And will anything currently running suffer a Heroes-esque meltdown?

We’ve often heard the past several years described as a “Golden Age of Television,” but I don’t think it’s understating to say a strike now certainly has the potential to end that. But don’t worry, for Zombie Ranch at least it will still be creation as usual. Just be prepared, especially if you’re a fan of late-night talk shows, because in about a week the re-runs could begin…