UPDATING OCCASIONALLY (FOR NOW)

9 thoughts on “558 – Cotton Clad Calamity”

  1. Raznaak

    Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. Otaku

    It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. Deoxy

      It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Clint

        Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Otaku

          Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Evervigilant

    Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. Scarsdale

    There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. lyra

    Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity
Posted on August 26, 2026 by Dawn

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

Overloading the bandwagon?

Posted on February 22, 2017 by Clint

So this article floated across my Facebook feed a few days ago. At first glance it was just another disgruntled exhibitor ranting about the latest failure in the comics convention circuit, but since I have a stake in keeping abreast of such tidings (as well as being given to the occasional rant of my own) I clicked through to have a read.

The introduction the author chose is interesting, equating the stand-up comedy boom of the early 1990s with today’s boom of comics and pop culture conventions. Truth to tell I wasn’t really aware there was a stand-up comedy boom in the early 1990s, but then again I was still a teenager at the time and probably wasn’t paying much attention to the nuts and bolts of such things. Honestly I’m surprised he didn’t make the comparison to the boom/bust cycle of comics that happened right around that time as well, but his main point was that a particular avenue of pop culture was seeing success and so he felt the bust came because a bunch of people piled on trying to echo that success, many of whom weren’t prepared or talented enough and so dragged everything down. He believes the same cycle is occurring now with comics conventions, as shows like San Diego have become so successful that every town wants its own version of Comic-Con, but so many of those are ending up failures that it may burst the whole bubble. The bandwagon’s axles are creaking under the strain.

Is he right? Well, there’s no question that a whole bunch of new shows have sprung up or greatly expanded in recent years, and a fair portion of those haven’t made it to year two, sometimes in disastrously public ways. A few weeks back I wrote about one of the more recent local ones, and this past weekend I got to hobnob with creators who attended another local failure a month before that, and heard about yet another start-up on the docket that I don’t have high hopes for based on knowing of some of the people involved. So I think the evidence points to definitely being correct that running a successful convention is no easy task. Heck, just running one that doesn’t dissolve into utter chaos seems to be beyond the capabilities of a lot of the hopefuls who put them together, and even experienced veterans can slip up.

I think the blog author is certainly onto something where advertising is concerned. A lot of the flak about Comic Excitement Con centered around that $10,000 cosplay prize they touted for a convention that reportedly hardly anyone showed up to. The author’s own target of ire which he refused to outright name (but did a poor enough job of lining out in one screenshot that I could sleuth it out as Brazos Valley Comic Con) apparently did a great job of advertising its special guests… to people already following the convention on Facebook. It’s happened more than once that Dawn and I have gone out for a post-convention beer and had our server be surprised that a comics convention was happening just down the street — and that’s sort of heartbreaking to contemplate, isn’t it? Not everyone who hears about a convention is going to show up, and not everyone who shows up is going to be spending money, but if you’re an exhibitor or guest faced with an empty hall all weekend, you can’t help but ponder how much advertising $10,000 could have bought.

Even a well-known, long-running convention can’t necessarily get away with running no ads, because the dates are always moving and the average person in the area isn’t going and checking on it and just has a vague idea of “Oh, that happens in September I think…” SDCC is SDCC and if you’re anywhere near the San Diego bayfront or Gaslamp District you’re not getting away from the fact it’s happening, but its sister show WonderCon is all over the radio and Internet in the weeks leading up to it.

Now all the ads in the world aren’t going to work if your show infrastructure is a complete mess, but yeah, when I think back on all my experiences, the most successful cons, or at least the ones that seem able to keep going from year to year, are the ones that consistently focus on getting the word out that they’re happening. No matter what guests you can land or what grandiose plans you have, that seems to make the most difference between earning a comfy spot on the bandwagon or being just another afterthought ground under its wheels.