UPDATING OCCASIONALLY (FOR NOW)

9 thoughts on “558 – Cotton Clad Calamity”

  1. Raznaak

    Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. Otaku

    It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. Deoxy

      It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Clint

        Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Otaku

          Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Evervigilant

    Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. Scarsdale

    There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. lyra

    Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity
Posted on August 26, 2026 by Dawn

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

Sniffing out opportunities (or lack thereof)

Posted on January 25, 2017 by Clint

Dawn and I have now been exhibiting at comics conventions for seven years and counting, and we’ve learned a lot since we began. Possibly the most important lesson is this: not every convention is worth being part of.

Sometimes a failure blindsides you, and the blame can be laid more at your own feet than any fault of the organizers. Dawn and I never tried to go back to APE after our seriously unfortunate virgin outing in 2011, but I can’t say it was badly managed or dead on arrival in terms of a crowd… it just wasn’t a crowd that seemed at all interested in what we had. On the other side of the equation, Pasadena Rock’n Comic Con was a disaster which was only good as a showcase of what not to do when trying to put a show together. I look back at that blog which I wrote in the aftermath (on a different site than this one on account of me feeling a need to turn the air bluer than PG-13, language-wise) and I see a lot of me hedging along the lines of “we’re inexperienced, BUT…”

Well now I’d say we’re fairly experienced, and experienced enough to spot a potential stinker before we’ve sunk money and time into showing up. Every so often we get contacted by a new show in our area (or sometimes even not in our area) that’s looking for exhibitors, and we have to make the decision on whether to give it a go. In some cases it’s just too far or we end up with an unfortunate time conflict on some opportunity that otherwise looks promising. Other times, I’ll be puzzling out an email that’s composed of more enthusiasm than grammar and is promising big things, and my warning bells go off. Such was the case with Comic Excitement Convention, which wanted to be a new entry into the Los Angeles scene but had a lot of factors stacked against it:

  • It was going to be taking place at the L.A. Convention Center, which although close, is far from our favorite locale in terms of exhibiting.
  • It was further going to be located in Kentia Hall, which we are unfortunately acquainted with and is what I like to call “a glorified parking garage” in the basement of the Center. Lots of pillars. Not a lot of ventilation.
  • The organizer had never run a convention before. Everyone’s got to start somewhere and he did declare he was talking with lots of people with experience so that he didn’t make mistakes. Or at least that’s part of what I puzzled out from the contact.
  • The date set was for mid-January. Now it doesn’t always shake out this way but time of year can play a big factor into attendance and also sales. People in January tend to still be going through the Holiday gifts they received, and their wallets are still smarting from the gifts they’ve given.
  • Coupled with the above, CEC wanted nearly $200 for an Artist’s Alley table, for a two-day show, for a first year convention. And to get in as an attendee? $30 for one day as a pre-reg, or a whopping $40 at the door. These are fair to middling prices for an established convention with some good programming and guests, but especially in the case of potentially attendees, it’s not going to encourage a “curiosity visit.” For all that I have my ongoing doubts regarding the Show-Formerly-Known-As-Comikaze, they did well to subsidize for the first couple of years and keep their prices low (or even free).

Anyhow, with all that in mind we decided to pass. And now that the first annual CEC has come and gone, do we regret our cynicism and cold feet?

Not so much.

Heck, until I read that article I just linked there I wasn’t even aware they’d double-booked the weekend with an anime convention in the area, which normally wouldn’t be so bad except for the emphasis on cosplay. Whosoever won that $10,000 top prize will be happy, at least. I mean, presuming that’s actually followed through on. When a show goes down the tubes a lot of promises can go with it.

tl;dr — if a new show is giving all the warning signs you’ve learned or heard about from past failures, chances are you’re not going to be pleasantly surprised if you buy in anyhow. Choose wisely.