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An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
9 thoughts on “558 – Cotton Clad Calamity”
Raznaak
Yup, he’s a bastard XD
Dr. Norman (not a real doctor)
Are those pajamas available in XXXL in the gift shop?
Otaku
It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.
You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.
I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<
Deoxy
It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.
But I certainly don’t recall any reason why.
Clint
Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.
I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.
Otaku
Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!
Evervigilant
Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.
Scarsdale
There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.
lyra
Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.
If you’re ever interested in something like that, you can reach me here:
IG: eve_verse_
Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
Discord: Lyralilac_
Latest Comics
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#172. 165 – Just Shoot Her
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#166. 159 – Spray And Pray
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#165. 158 – Live Bait
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#162. 155 – Climb And Punishment
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#161. 154 – Discretionary Valor
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558 – Cotton Clad Calamity
What would you call this? Armchair assassination? Merk-from-home?
Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.
The peril of assumptions
If you’ve ever said the phrase, “when you assume it makes an ‘ass’ out of ‘u’ and ‘me'” — first off, please punch yourself in the face. Society can’t function without a certain set of assumptions, such as the assumption that if I step out of my house I won’t be hit by a falling piece of space junk.
Second–at least where fiction and fictional characters are concerned–I may grudgingly admit you are right. For Exhibit A, I will present Schroeder from the Peanuts gang.
Who, you ask?
This guy.
For some reason, when I was reading Peanuts strips as a kid, it wasn’t Charlie Brown or Linus or Snoopy that I latched onto, it was this random blond kid with the toy piano. Schroeder. He just seemed so cool. Otherwise hard-as-nails, cynical Lucy was head-over-heels in love with the guy, yet he had no time for her nonsense. His idol was Beethoven, who is awesome. He had hair and didn’t suck his thumb. He was an artist. This, thought grade-school me, this is who I would want to be.
And then every animated special disappointed me, because Schroeder wasn’t a featured player. He was never meant to be. The bald kid and the thumb sucker and the bald kid’s dog were the axes upon which the Peanutsverse revolved. They were the ones who got to go to France, while Schroeder and the rest stayed home. Cool as he was, Schroeder was doomed to be an extra.
Oh the betrayal. How dare Charles Schulz treat my chosen personification in such manner? Well, he dared because, again, Schroeder was never really meant to be a focus. I ballooned his importance in my own head and my heartbreak was directly a result of that. Nevertheless, I still consumed and enjoyed the comic strips and cartoons, but man, to this day there’s that small, irrational part of me wishing Schroeder had been portrayed as important as I felt he was.
Exhibit B is going to venture into spoiler territory for a recent film release concerning a quaint little franchise called Star Wars. If that concerns you, I advise you to stop reading now. I’ll even throw in a very sad Luke so you’re less likely to accidentally see the next paragraphs.
Still here? All right, let’s talk about Captain Phasma. The stormtrooper leader played in the new film by imposing giantess (and Brienne of Tarth) Gwendolyn Christie.
You probably don’t need a reminder visual, but here’s one just in case:
Phasma is one of those characters that people obsessed about, forming assumptions of her character based on her appearance in early press releases, and possibly the Brienne tie-in. Did interviews with Christie and others use words like “badass” or did we coin them ourselves?
If you’ve seen the film you can probably guess where I’m going with this. Phasma in The Force Awakens looks good but does nothing. Well, arguably worse than nothing. She’s taken prisoner towards the end of the film and forced to lower Starkiller Base’s shields at gunpoint, then our heroes say they’re going to toss her down the garbage chute, and that’s the last we see of her.
Supposedly we’re promised that Phasma will return with a bigger impact in subsequent movies, but for now, she’s not even someone who put up much of a resistance when asked to basically open the gates to the enemy. People are complaining about that as a betrayal of the character.
Except, is it? Within the movie itself, was it ever established that Phasma is a die-for-the-cause badass? Couldn’t she just as easily be some unusually tall daughter of a First Order bigwig enjoying a cushy officer’s position, who isn’t really all that brave or stoic when the chips are down? That’s a well-known evil (or even good-yet-corrupt) archetype, after all.
The point is that she really didn’t have a character to betray, did she? To say that means you had preconceptions and assumptions based purely on her image and other metadata going in. And when the character didn’t seem to actually fit those assumptions, and/or wasn’t really as big a part of the narrative as you’d hoped, you felt let down. You felt, in my terms, Schroedered.
It’s not pleasant, but if we’re perfectly honest as fans, we have no more control over these matters than a fan fiction author who desperately wants Harry Potter and Draco to kiss. Now on my end, I was surprised by how Phasma ended up being shown to us in The Force Awakens, but on consideration I actually find the possibility of her having some more cowardly, mercenary aspects to her character more intriguing and compelling than, say, a flashy but ultimately bland badass like Darth Maul. I suppose in Phasma’s case a future film could still present her in a more kickass mold, but for the time being everyone wanting that will have to just buy her action figure and pretend.
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