UPDATING OCCASIONALLY (FOR NOW)

9 thoughts on “558 – Cotton Clad Calamity”

  1. Raznaak

    Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. Otaku

    It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. Deoxy

      It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Clint

        Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Otaku

          Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Evervigilant

    Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. Scarsdale

    There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. lyra

    Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity
Posted on August 26, 2026 by Dawn

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

Poking at foundations

Posted on February 11, 2015 by Clint

So in the last month or so, Dawn and I started binge-watching Marvel’s Agents of S.H.I.E.L.D. We held off for awhile, even after the first season became available on Netflix, due to all the bad buzz I kept hearing about the early episodes. I was assured by those of my friends who had kept watching that “it gets better”, but I still had to ask the question: if there were only six or so episodes of Season 1 in the “gets better” category, should I just watch those and skip the rest?

Surprisingly, the consensus seemed then to be that, while much of Season 1 had its issues, it was worth watching. It laid all the foundations for what was to come after, and the payoff would be that much sweeter even if the first episodes themselves weren’t particularly compelling.

So we took the plunge and started from episode 1. While I won’t argue the idea that the series certainly does get better, we didn’t find it as much of a chore as we were led to believe. Maybe we were approaching it from hindsight, and that helped? I’ve also heard that watching big chunks at once allows the threads of the story to hang together far better than for those who were watching week to week (or sometimes not even week to week, since I’ve heard there were some breaks and hiatuses along the way).

Have we as a society gotten too demanding of our TV shows, like they have to knock our socks off out of the starting gate (or within a few episodes thereof) or we give up on them? I think of Babylon 5 which was one of my favorite shows ever, but how to this day I never watched what I was assured was a comparatively mediocre first season. Star Trek: The Next Generation was another show so (in)famous for having a rocky start that it named an entire TV Trope, “Growing the Beard“, since fans mostly agree it started getting good around the same time Commander William Riker decided to sprout facial hair. For quite awhile following its debut, Parks and Recreation was derided as a limp, pointless clone of The Office. There have been quite a few other examples over the years of series that took some time and development before they hit their stride.

Mind you, again, it’s probably much easier to deal with an uneven first impression in hindsight, with assurance that the time you’re dedicating will be rewarded. Going back to check out a TV show, particularly one with multiple seasons, can be a daunting prospect. Hitting an episode, or worse, several episodes where it felt like you could have skipped them and been none the worse for your experience, can be downright demoralizing.

But maybe I’m a bit more sympathetic these days, especially in terms of the early going. After all, I still remember the criticism of this very webcomic about our first “episode” being a span of pages where nothing interesting happened. I still contend with that assertion, but it’s not quite on the level of some of the nailbiters we put forth by the end of episode 7. Foundation building is a necessary but potentially boring aspect of fiction, as you get your first introductions to the characters and the setting. I figure that’s why in a lot of action movies these days you’ll get those introductions in the midst of an already occurring action scene, except I feel more often than not you’ll get out the other side of said action scene and still have only the barest sketch of who the people involved are and why you should care about them.

Did the early parts of a series like Agents of S.H.I.E.L.D compare to its post-beardy existence? Nah. But they were enjoyable enough, and at least some part of every episode seemed to be working to lay the groundwork for the future. From the beginning the showrunners were supposedly promising “Everything is connected”, but after disappointments like Lost (at least in terms of answering questions) I can see how it would be rough to keep faith based on that alone. I had the benefit of being, basically, a man from the future, so I could look at it all and enjoy from that standpoint.

And once I do look back like that, in addition to my enjoyment of the entertainment, my writer side gets to wondering just how much of everything was actually planned from the beginning. But that’s a topic for another time.