UPDATING OCCASIONALLY (FOR NOW)

9 thoughts on “558 – Cotton Clad Calamity”

  1. Raznaak

    Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. Otaku

    It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. Deoxy

      It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Clint

        Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Otaku

          Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Evervigilant

    Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. Scarsdale

    There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. lyra

    Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity
Posted on August 26, 2026 by Dawn

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

On love, hate, or just plain giving a damn.

Posted on May 16, 2012 by Clint

Last week I put a poll up asking what you readers would choose when faced with the same “one bullet” decision Suzie had to make. By an overwhelming margin, most of you opted for shooting Muriel. Couple that with the previous poll’s runaway answer that you didn’t care what her reasonings were, she needed to die, and I’m beginning to get the feeling y’all don’t like her much!

I’ve mentioned before how I’m fond of my grey areas in terms of heroes and villains, but it’s true that I’ve been building up Mrs. McCarty as the big antagonist of this first storyline since we were first treated to her delicate countenance and dulcet tones at the end of Episode 2. If there’s a sin on my part here it’s maybe that she’s an “easy” villain, displaying few redeeming qualities. It’s entirely possible that the presentation is skewed so that you’re only seeing her at her worst, but let’s face it — it’s not much of an accomplishment to get people to hate her. I just hope there’s enough twisted motivation evident in her actions that she doesn’t seem driven by pure madness. Unfathomable madness can be sort of boring in a villain, as is the whole idea of “doing it for darkness“, i.e. evil for evil’s sake.

It’s been pointed out (and perhaps not unfairly so) that Muriel and her posse come off more as caricatures than actual people. Is this a bad thing? Does every mook in fiction need or deserve a backstory? Should the writer(s) make you value them as characters, or is it enough that you want to see them fail?

On the other end of the spectrum, how much time as a writer do you need to devote to a character before your audience wants to see them succeed? Or at least not die? I have it on record that at least one reader felt sorry when Zeke met his end, and there was a comment back towards the beginning of Episode 5 where someone hoped “the ranch hands” (which I took to mean Brett & Lacey) would survive unscathed. But I’m fully accepting of the idea that putting Brett in mortal danger is not necessarily going to get the same sort of rise out of you folks as I’d get if Suzie or Frank were in his place.

For that matter, how many of you would care about Suzie or Frank being in mortal danger? That’s a good question, and one I dearly hope at this point would be answered with at least some of you giving a damn. You don’t have to love them, necessarily, but I’d like to think at least a portion of the current hate against Muriel is related to some feeling of wanting the young miss Zane and her crew to get through this intact.

This is one of the hardest things about writing a story, and at the same time one of the most crucial things. The twists and turns of your plot, the richness of your world… all of it still hangs on the balance of your characters being people your audience feels like they can give a damn about, whether that feeling is positive or negative. Then on top of that, you want them interested in seeing your protagonist(s) win and your antagonist(s) lose, even if your intent is to horribly subvert that and let the bad guys win. Or you might be George R. R. Martin and just play with your audience’s feelings the way a cat plays with a yarn ball, never letting them get comfortable. Dawn had to stop reading that saga because by the third book she was feeling downright abused by the constant obliteration or undermining of everyone she had allowed herself to identify with… but now of course she’s getting to watch it all over again on television.

I digress, though, because GRRM certainly makes you care, otherwise it wouldn’t hurt so much. The death of any story is if the reader remains no more invested in it than if they were reading an iPhone tutorial, and the tricky part about this is that the only way to discover whether you succeeded is to put it out there and have them experience it. Even if you have some friends, an editor, and/or a writing club to give feedback on your work, the ultimate test still rests in tossing your tale to the mercy of total strangers and seeing if your carefully baited lines reel ’em in.

So in that sense, I’m quite gratified that Muriel McCarty seems to have struck a chord (or discord, if you will). I like my grey areas, but then even a series as grey as Song of Ice and Fire/Game of Thrones has a place for its “Joffreys”, right?