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9 thoughts on “558 – Cotton Clad Calamity”

  1. Raznaak

    Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. Otaku

    It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. Deoxy

      It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Clint

        Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Otaku

          Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Evervigilant

    Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. Scarsdale

    There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. lyra

    Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity
Posted on August 26, 2026 by Dawn

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

“No, that’s fair.”

Posted on July 20, 2011 by Clint

Every so often I run a google search on Zombie Ranch, just to see what might turn up out there in the wilds of the Internet. This past week I turned up a great review from a Western-themed blog called (cleverly enough) “Slap Bookleather”.

Hang on before I give you any link though, and let me explain what I mean by “great”… because what you’ll see early on is that he found the comic amateurish, going so far as to write, “I read the first couple of pages in shock at how bad it was”.

What was great to me about the review is this: here was a man Dawn and I had never met, with no stake whatsoever in sparing our feelings or otherwise making us happy, giving his brutally honest opinion of what he was looking at. A man who has digested dozens if not hundreds of Westerns in all forms of media, including comic form, and as a result has some pretty high standards. I’ve always wondered how I’d react to being told I sucked, since I figured that sooner or later it was going to happen. At first, there was the natural feeling of disappointment and failure, but I swallowed it down and kept reading. After all, if I’m too thin-skinned to take criticism, I doubt I belong trying to keep going with this. And you know what? It turned out that soldiering on was a really, really good thing to have done, because the whole of that sentence was this:

“I  read the first couple of pages in shock at how bad it was, then kept reading a couple more pages, then a couple more, then, inexplicably, it actually started working.”

Don’t get me wrong, though, it’s not a glowing review of our workmanship by any means. Nor does it need to be, as we’ll be the first to admit embarassment at our earliest pages, and admit that to this day we still have a long ways to go to reach what, to use a loaded term, might be considered a “professional” level of polish. I hearken back to a classic early episode of the Buffy the Vampire Slayer TV series where Oz comes across a review of his band from the guy in charge of the school paper.

Oz: “‘Dingoes Ate My Baby’ played their instruments as if they had plump Polish sausages taped to their fingers.”
Freddy: Sorry, man.
Oz: No, that’s fair.

Freddy being the writer of said review, and he apologizes, probably expecting Oz to hate him for it. But Oz thinks about it a moment, then nods and proclaims it a fair enough criticism. Similarly, as I kept reading the critique on Slap Bookleather, I not only thought it fair enough from the perspective of a man used to much more polished works, but he goes on to say that in spite of his reservations concerning the writing and artwork, he was still drawn in to the story as a whole and kept “flipping through”.

And really, isn’t that the whole core of storytelling? The ability to engage your audience, as I already talked about a few months back?

This is especially crucial for a webcomic because of the tradition of not going back to revise your early work. I’ve seen arguments for and against this, but for a lot of people one of the joys they have in reading a webcomic is being able to delve into the evolution of how far the creator(s) have come from where they originally started. We made the decision early on to adhere to that, which means someone unused to webcomics may go back and start reading Zombie Ranch and quickly decide we don’t know what the hell we’re doing. Which, to be fair, we did not. But if we can manage to grab their interest long enough (even if it’s just out of a sense of “ogling the trainwreck”) then a review like Slap Bookleather’s gives me hope that we’re doing enough things right, and improving enough over time, that we can get past the rough stuff and have them not only genuinely enjoying the tale, but ready for more.

Read it here: http://slapbookleather.blogspot.com/2011/06/zombie-ranch-diy-of-web-comics.html