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9 thoughts on “558 – Cotton Clad Calamity”

  1. Raznaak

    Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. Otaku

    It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. Deoxy

      It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Clint

        Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Otaku

          Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Evervigilant

    Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. Scarsdale

    There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. lyra

    Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity
Posted on August 26, 2026 by Dawn

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

Playing favorites…

Posted on May 18, 2011 by Clint

So in case you haven’t been keeping up on the Facebook and Twitter stuff, we proudly announce that as of last week, Zombie Ranch #2 is “on the shelves” for purchase courtesy of Indyplanet.com. This is the full print version and comes directly from their site, which means some shipping and handling charges will be involved, but if you do want to get your paws on it, you can click HERE. Those of you lucky enough to be joining us down in San Diego this July should have the option of purchasing a signed copy directly from our booth, as well.

As for the digital download option I mentioned last week, it looks like that’s still not live yet, but I’ll try to keep an eye on it and announce when it’s available.

Also, Zombie Ranch got to be included as some background scenery in Mark Driscoll’s “L33t”. Check it out!

http://l33t.tuskland.info/l33t/2011/05/09/the-joke-in-panel-3/

http://l33t.tuskland.info/l33t/2011/05/12/the-method/

That’s the news, now for the opinion column. A couple of months ago I was at lunch with visiting frequent commenter (and old friend) Andrew, and amongst other things we talked of Zombie Ranch. I asked him a question that I often like to ask of fans of the series: “Who’s your favorite character?”

He answered, of course, but then did something I hadn’t expected — which was to ask me the same question. I paused, rolling the thought around in my brain… and then, truthfully, I gave my answer.

I don’t have one.

Pondering why that was, I figured that from my perspective as the writer of the series, it felt instinctually unfair to my characters if I were to favor one over another. Maybe that’d be different if I was writing a comic with a single character focus such as “Batman” (I mean hey! His name’s on the book!), but though Suzie is nominally the main protagonist, Zombie Ranch to me is more of an ensemble piece a la “Justice League” or “Uncanny X-Men”. And really, can’t you just tell when a writer gets ahold of one of those ensemble books but has one or two clear favorites out of the group? Everyone else seems to suffer a bit at the expense of the chosen ones.

Are some of our characters more developed than others at the moment? Absolutely, and I’m not guaranteeing everyone will get equal time (poor Zeke sure didn’t), but I’ve been doing my best to present each member of the main cast as a distinct person in their own right, with certain virtues and also certain faults. You the readers are welcome to pass judgment upon them, but I’m keeping my personal opinions out of it. I’m here to tell a story, not preach a sermon.

I don’t know what Alan Moore’s feelings on the subject are, but I have to admit one of the things that I always respected most about his writing was his ability to put his personal politics and feelings aside and just present people in his work. A professed Pagan and political Anarchist, Moore nonetheless can present very right-wing characters such as SMAX or Rorschach as having admirable qualities, while his freedom loving V (with the Vendetta) or well-meaning Adrian Veidt engage in methods or solutions that are highly questionable if not outright horrific. It’s not always the case with his writing, but in many of his works he will present the motives of “hero” and “villain” alike, chronicling their actions — and then he steps back and lets what has happened percolate into the user’s own subjective thoughts and feelings. As his immortal last line of Watchmen informs us: “I leave it entirely in your hands”.

No matter how outrageous the setting, I think the drama of believable people (or people substitutes) is much harder to wrangle than that of a Mary Sue insert triumphing over their latest installment of 2-dimensional straw men in service of whatever the writer’s agenda happens to be. Even in a gag strip that sort of thing can get old, much less an ongoing story — and contrarily, even an epic tale of Good versus Evil like the Lord of the Rings can have its nuance in characters like Gollum, and its constant reminders that the potential for evil can lurk in the purest of hearts.

But do what you will with that observation. I leave it entirely in your hands. 😀