UPDATING OCCASIONALLY (FOR NOW)

9 thoughts on “558 – Cotton Clad Calamity”

  1. Yup, he’s a bastard XD

  2. Dr. Norman (not a real doctor)

    Are those pajamas available in XXXL in the gift shop?

  3. It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.

    You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.

    I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<

    1. It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.

      But I certainly don’t recall any reason why.

      1. Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.

        I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.

        1. Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!

  4. Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.

  5. There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.

  6. Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.

    If you’re ever interested in something like that, you can reach me here:

    IG: eve_verse_
    Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
    Discord: Lyralilac_

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558 – Cotton Clad Calamity

What would you call this? Armchair assassination? Merk-from-home?

Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.

On the evolution of grammar…

Policing language and grammar is ever a slippery choice of career (or hobby).

Don’t get me wrong, since for better or worse I am my own editor for Zombie Ranch and so have to do exactly that, especially before committing to print where fixing a typo is not just a matter of editing a text layer. I also have characters who are not necessarily adept at communicating in formal Oxford English, which is just a fancy way to say they “don’t speak good.”

Yet the very idea of someone’s quality of communication is a malleable concept. You may have heard that in modern writing, “passive voice” is to be avoided. “The ball hit Jed” and not “Jed was hit by the ball.” Some explain it’s because the latter, passive expression sounds “weaker” but as far as I can tell the derogatory view of passive voice is a 20th Century invention intended to conserve words while conveying the same concept. Go back to the mid-19th Century and you’ll see passive voice everywhere, even in military communications where you’d think Generals were getting paid by the word. Sorry, I mean the word paid the Generals.

Woof, that’s active voice but doesn’t make much sense. That’s the rub, isn’t it? The end goal of communicating is to convey ideas, everything else is just window dressing. A message forum question like “how to find code?” sounds ESL to me as a knee-jerk reaction, and yet the more I think about it, do we really need to say “How do I find the code?” or is that just a lot of unnecessary grammatical dressing? Everyone knows what you meant and much in the same vein as passive voice fell out of favor, isn’t this possibly just the next step in the name of efficiency? It’s arguable that the invention of the telegram is what led to the marginalization of florid verbosity (usin’ lots o’ big words) in favor of more succinct communications. Nowadays one of the main ways people communicate is by texting, which is like telegrams in real time. Data plans don’t make you pay per text any more like they used to but speed and compactness of message are big priorities, so who am I to look down upon a message like “where r u?” This may well be the future, like it or not. Today the smartphone, tomorrow the OED and the style guides.

Though in the meantime, you may continue to look forward to complete sentences from yours truly.

Mostly.

How to make webcomic?