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An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
9 thoughts on “558 – Cotton Clad Calamity”
Raznaak
Yup, he’s a bastard XD
Dr. Norman (not a real doctor)
Are those pajamas available in XXXL in the gift shop?
Otaku
It’s been a while, so let me ask: Did we get a reason for him to WANT Susie dead? Not to backseat, but if we didn’t, I’m worried were about to move into “Stupid Evil” territory. Now, stupid happens, don’t get me wrong. It’s not bad storytelling for that to be the case here.
You’ve just done a good job NOT having that be a driving factor, so the “Kill off the stars of my successful reality TV show.” seems shortsighted, otherwise. Oh, I guess I could be mistaken about the in-story reality TV show’s success. Like, if the company behind them is losing money, or they think a change in management at the ranch would make the whole thing more popular/profitable, then I can see the above scenario happening as well.
I REALLY think I’m just forgetting something important, but that I don’t have time to deep dive to remind me of, hence the comment. >_<
Deoxy
It certainly has been stretched out over quite a while, but there have definitely been hints from quite near the beginning that whoever is running the reality TV show definitely wants her dead.
But I certainly don’t recall any reason why.
Clint
Yeah it’s fair to not remember since it’s been a hot minute (many, many minutes) but if you feel like a refresher the most relevant bits would be the beginning of Episode 8 and the end of Episode 15. We haven’t explicitly spelled out exactly what The Exec means by his “side hustle” or who was on the other end of that phone call, though.
I’m hoping that when the whole thing is eventually available it will make sense, or at least enough sense to have hung this narrative on.
Otaku
Thanks for the replies, Deoxy and Clint. Yeah, I’d totally forgotten about those things. Good to know!
Evervigilant
Seems about time for the two people who aren’t there to make a surprise entrance as the ace Susie didn’t even know she had.
Scarsdale
There’s still 3-5 people on her side that might be planning something. This guy is a megalomaniac with a god complex, so letting him think he’s the sharpest tool in the shed sets him up for a fall. Everything depends on those cameras, and I suspect their little stop over by the charging coffins had something to do with her actual plan, not the one the a-hole thinks it is.
lyra
Really enjoyed the opening of Zombie Ranch. I like the combination of the western setting with the zombie concept, it gives the story a really distinctive atmosphere. I’m a freelance illustrator and animator, and I’d be interested in seeing how some of these scenes could translate into motion, especially as a short animated teaser or character scene.
If you’re ever interested in something like that, you can reach me here:
IG: eve_verse_
Email: [contact.lilaclines@gmail.com](mailto:contact.lilaclines@gmail.com)
Discord: Lyralilac_
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558 – Cotton Clad Calamity
What would you call this? Armchair assassination? Merk-from-home?
Well, Suzie ain't dead (or undead) quite yet, so we'll just have to see if his gloating is justifiable.
Hell bent… with leather
Occasionally though, the pendulum swings in the other direction and something we figured was going to be ignorable noise proves impossible to resist. It still kills our productivity, which means more than once we’ve had to stop something if we’re on deadline and take a rain check for later, but then there are those times where we do have the opportunity to just set our work aside and get immersed in something surprisingly fun.
Yeah, so, the image to the right probably spoils which something I’m referring to. With Hansel & Gretel: Witch Hunters I expected just another formulaic, overblown, impactless PG-13 offering on par with Van Helsing.
I think it was about at the ten or fifteen minute mark as some dude was getting bloodily torn apart by a tree that I put that opinion to rest and closed down the word processor in favor of a comfortable spot on the couch.
Oh don’t get me wrong, we’re not talking deep cinema here, but suddenly realizing this movie had an ‘R’ rating and was going to take gleeful advantage of that was a strangely refreshing concept in this modern era where Hollywood executives are relentlessly pushing that PG-13. Our action movies have by and large become, literally, bloodless things, or when there is blood it’s often rendered with CGI effects that never have a proper suspension of disbelief to them. There is no impact. I caught the ending of the recent A-Team movie not too long ago and it was painfully obvious the actors were running from and reacting to nothing more dangerous than a green wall. The worst of all is the now cliche sequence of the gigantic armies charging at each other to meet in a crushing melee, except that in the end there’s no real contact, and thus no real point and no real drama. I’m not saying people should actually be killing each other, but Braveheart had real folks at least shoving each other and it makes a difference.
But I’m getting off track with that rant. The Hansel & Gretel movie is not devoid of computer effects, but it mixes them with practical effects, particularly in the bits where things get a little gory. Is it realistic for a head to splatter like that? Well, probably not, but at least something real splattered. The director obviously seemed to be taking cues from Sam Raimi or early Peter Jackson. This was confirmed when I looked it up and found that said director was Tommy Wirkola, who all but wore his Raimi/Jackson worship on his sleeve when he filmed Dead Snow. You remember Dead Snow, don’t you? I mentioned it here awhiles back, but two words sum it up: Nazi zombies.
Wirkola is a director still having immense fun with having the opportunity to make movies, especially making movies in the mold of his heroes. If you liked Army of Darkness, I’m fairly certain Hansel & Gretel will float your boat, especially if you miss that old school, ridiculously balls-to-the-wall sort of gory, comedic action/horror. It’s everything Van Helsing should have been, and while superficially they may resemble each other, there’s a feeling of sincere commitment rather than cynical marketing at play. For me, that made all the difference.
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